Showing posts with label Stamping. Show all posts
Showing posts with label Stamping. Show all posts

Friday, March 27, 2020

Using Old Favorites In New Ways


Hello everyone!  Vicki here with you today.  I have a new project using some of my "old" favorites from Memory Box and a stamp set from Poppy Stamps as well.  I love being able to use supplies in my "collection" to pull a completely different style of card together.

You might remember this card from last fall that I created using the Grateful Autumn Stamp Set from Memory Box.  I used Metallic Watercolors on Stonehenge Black Watercolor Paper from Legion (who also makes Yupo Paper).

Just because it has Autumn in the name doesn't mean it can't be used for any of the other seasons that have leaves.  Lots of folks north of Texas live in states where it is still snowing this week and they don't even have the first little buds of leaves out on their trees.  Here in North Texas, Our Redbuds are just budding out this week and in a week or so, we'll have lots of small green leaves popping out everywhere.  The Bradford Pears have also begun blooming.  In Texas, we have Live Oak Trees, and they stay green year-round.  There are many such trees in Texas and I remember being fascinated by them when we first moved to Texas in the late 1990's.  Being a midwestern girl, the only kind of evergreen trees I had ever seen were the Cedar and Evergreen varieties that remind you of Christmas Trees.  There is a huge, ancient, Live Oak Tree on the grounds of the Alamo.  Its limbs have grown so heavy that many are now supported by giant cables and many are literally laying on the ground, but still growing.


Today I wanted to use this same stamp set to create a pretty Wet-On-Wet Watercolor Background with a lot of visual interest.   Using the large image from the set, I heat embossed it onto a 5 x 7 panel of Watercolor Paper.  Next, I wet the entire panel using a #10 Escoda Versatil Paint Brush. These brushes are hand made in Barcelona Spain and have a Triple Crimp Ferrule and they don't shed!


Next, I added Diopside Genuine in a pretty concentrated mix of paint and water.  I sort of dabbed at the area of the leaves but didn't stay within the lines.  I let that dry and then repeated the process with Ultramarine Turquoise, making sure to extend the paint and water to the entire panel, letting it move freely as I turned the paper.  When it was not quite dry, I went in with a very watery layer of Iridescent Gold Watercolor on the top and turning the paper, again let it move around the entire panel of watercolor paper.  As this dries, the gold settles into the texture of the paper making it very visible.


I die cut the panel with a Rectangle Basics Die and then used the leftover piece to heat emboss my sentiment onto. The sentiment is from Poppy Stamps Butterfly Greetings Stamp Set and I love this font!  Using a smaller Rectangle Basics Die I die cut the sentiment out and then used the next size up to cut a mat from Gold Foiled Cardstock. I popped the sentiment up on some foam tape.  I also had an already cut piece of cardstock sitting there that I had previously cut for another project and then didn't use, so it was perfect for this.


I die cut the Drifting Side Butterfly from the center of that panel, which is a very economical way to use your gold cardstock and although I don't often do it that way, I should!  I don't sit and plan out a card from beginning to end with what I'm going to do.  I'm definitely a "fly by the seat of your pants" cardmaker.  I get an idea of what stamp set I want to use and what technique, but that's as far as the planning goes until I actually sit down to put the card together.  So usually, I'm too far into the process when I think about using the gold foiled cardstock that way.

I absolutely love all the shimmer and shine on this card and that perfect final touch was the sequins and gems I added.  These particular sequins are iridescent teal and they matched so well.  I've had them for years and I don't know where they came from.  I will be really sad when I run out as they are so pretty.  Then as I often do, I added a little gem in the center of the sequin which really makes everything sparkle and shine.

I did play around with adding colored cardstock or shimmer cardstock for the butterfly's body behind the gold frame, but I didn't care for any of the colors I tried over just using the gold outline, which allowed the watercolor to be seen through the wings.

This next part is about my adventures in Watercolor if you are interested in that. I have been thoroughly enjoying a lot of playtime with my recent creation of a watercolor palette from the tubes of Daniel Smith Extra Fine Watercolors that I have been purchasing over the last 18 or so months.  I just bought two, or occasionally three, tubes at a time until I went to put a palette together and actually squeeze some paint out of the tube and into the paint wells. This is a big commitment for me to actually put some paint into a palette. I've been using reinkers or Zig Markers for the most part, but they aren't Light-fast and Fade Resistant, so I have been wanting to upgrade to real watercolors for quite a while. My friends that Watercolor all said Daniel Smith is the best.  Then once I had that done, I went back and filled in any holes that I felt I had.  As I filled in my palette, I thought about what colors I might be missing and so I got about 10 tubes there all at one shot.

There's also a Daniel Smith Watercolor Split Group on Facebook and I knew I wanted to get one particular split called the "I" Split which consists of Half Pans of all the Iridescent, Interference and Duochrome Colors in the Daniel Smith line.  By purchasing a split which contains 48 colors, I could try all of the colors and see which ones I liked the most and then perhaps purchase a few tubes of those for a smaller palette.  You can see my large palette here which is about 12.5 inches wide by 5.5 inches deep and contains 33 lanted paint wells.

Okay, so I know I am not kidding anyone here when I say I "might" want to purchase a few of the iridescent colors to put into a smaller palette.  I definitely did want to purchase some, but surprisingly, I managed to keep it to a relatively small number of such tubes; just 7.  The colors I chose for this are Interference Lilac, Interference Red, Interference Green, Interference Blue, Iridescent Gold (DUH *Ü*), Pearlescent Shimmer, and Iridescent Aztec Gold (what I would call Antique Gold),  I also found these super cute tiny palettes that are made to hold 6 Full Pans or 12 Half Pans of color.  My I-Split is in a larger Pink Meeden Palette just like this one.  I got a small pink one for the Iridescent and Interference Colors.  However, by lifting the rails out of the bottom of the tin, you can have at least 12 Full Pans. We just use a Zot on the bottom to hold the pan in place if you are worried about them moving around, which they definitely do move in the rails.  I've also been told the rails rust from water, so by removing this piece, it eliminates the problem. 


Then there is also the cute little tin in this beautiful blue which will hold 12 full pans or as many as 18 or 19 half pans, depending on the configuration you want to use.  I am planning to use one of these with an 18 pan configuration. that is a combination of full and half pans. The pink tin came with 6 full pans, but the blue didn't come with any so I had to order some.  The other colors I add here will be from the tubes I already have and will be chosen based on the things I paint most often, which is flowers. I ordered some empty half and full pans, so I'm just waiting for them to arrive before I make a final decision on which size to use in these small palettes. I think it is likely to be a combination of both sizes.

I love the technique of underpainting with the Iridescent and Interference colors so I want to have both options available to me in a travel size.  These are the perfect size at 4.75 x 2.75 inches as opposed to my large palette that is 13 x 8 inches with 33 large wells.  When we travel, we are usually heading home to the farm which is an 8-hour drive with no stops. Since Watercolor relaxes me, I want to have it available when we arrive at our destination.  If you've been thinking about watercolors, I would encourage you to buy a few to start with before you make the investment into a full palette. The extra fold-out piece is a mixing tray.  You can easily remove this by putting a corsage pin into the end and pushing the metal rod out.  Then grab ahold and just pull and you can remove the tray.  I'm planning to leave mine in since I got these for Travel Palettes.

When I did my large palette, I swatched all the colors I have onto watercolor paper and then I laminated those strips and also made a label for each row going across as you can see in the picture.  I didn't put much paint into this palette yet in case I want to move colors around, which I already do. I also put colors together in the way I use them, not in Rainbow order.  As you can see, the yellow and orange are on the back row because I use them less often.  I have 4 greens and I primarily use two of them for foliage.  There are so many colors in the full line but I don't have "Full Set Syndrome".  I have "What I Need and Will Use Syndrome".  I do have smaller palettes in this style and have a few colors in one already that is primarily for Neutrals and Titanium White.  I mostly use Moonglow or Alvaro's Fresco for my Neutrals so far.

These palettes come with a mixing tray also, but they are plastic and don't come completely clean, even with bleach, so I have a white porcelain plate that is 14 x 5 inches that sits in front of the palette and I use that for my mixing palette.  As I have freely admitted before, I am rather neurotic. *Ü*


If you have any questions, just ask and I'll reply back to you!  I'm very glad I didn't go out and buy a whole bunch of colors all in one shot.  I'm happy that I kept it to a few in each color family and then added in where I felt I was missing.  It has kept it affordable for me to do it this way.  I definitely have to admit, real watercolors are much better than using reinkers!  The results, with the proper paper, is a lot more predictable.  Paper and brushes are a very individual choice, but let me just say that cold press in totally the way to go.  Hot Pressed cannot stand up to the water and brushstrokes and it pills very quickly.  My personal preference is for Fabriano Artistico Extra White Cold Pressed 140# Paper.  All of the Bristol and Hot pressed that I have on hand will work fine for blended or even watercolor washes.  But it doesn't stand up to the brushstrokes.

If you're interested in paints or palettes, my purchases came from Amazon for the most part.  They have an excellent selection of Daniel Smith Extra Fine Watercolors, a variety of sizes and styles of palettes and pretty much any brush you might want.  I love my Escoda Versatil Travel brushes but I looked at them as a long term investment.  If you want something less expensive to begin with, I'd recommend trying the Silver Black Velvet Series in a Size 6 and something smaller to begin with.  Don't buy a bunch until you've tried your hand at it with a few brushes. You can even purchase one of the Daniel Smith Dot Watercolor Cards to get a feel for it and that is a very inexpensive way to start out.  Here's a link to a 66 color dot card.

If you want to buy a few tubes at a time like I did, this is the link I made most of my purchases from.  You have to scroll through the colors to select which ones you want.  Have a great day and thank you so much for stopping by.

Supplies




Friday, December 6, 2019

Memory Box's Grateful Autumn Stamp Set


Hello, Everyone!  Vicki here with you today, sharing a card I made last week for today's post using the Memory Box Grateful Autumn Stamp Set.  In case you haven't noticed, Black Watercolor Paper is all the rage right now.  I saw Kristina Werner working on some with her Pearlescent Watercolors and decided I had to try that out.  A couple of years ago, I got the Finetec Pearlescent Watercolors from Simon Says Stamp during a Steals & Deals Weekend.  I have never been too happy with my personal results from them on regular watercolor paper, so when I saw Kristina using them on black, I had to order some of that paper, right away.  I have the Legion Stonehenge Black in 10 x 14 so I cut one sheet down into 4-5 x 7 pieces.  You can find it on Amazon here.  

Before my paper even arrived at my house (2-day delivery), I saw another video on YouTube using this paper again. Mine arrived the very next morning - early for a change - since I had so many other packages.  Once I had a bit of time to play, I really loved the results on the Black with the Pearlescent Watercolors and decided I just had to try it on these beautiful fall leaves from Memory Box.  I'm not an "artist" by any stretch of the imagination, but I can do Watercolor for Card Makers.  It's a class offered by Online Card Classes - co-owned by Kristina Werner and Jennifer McGuire.  I took the class about 3 or 4 years ago.  Someday, I might want to pursue it more in-depth, but for what I do, this class was great.  You can sign up anytime, and you will always have access to the classes you take there.  


I started by prepping my black watercolor paper with a liberal dusting of powder tool.  I like using talc-free baby powder with a fluffy brush for this.  The little pouch is too chalky feeling for me and the little brush tool doesn't hold up to use, so this has been my solution for about 4 years now.  You can also use cornstarch if you want to find something that you already have at home.  This is the most important part of heat embossing.  Otherwise, you end up with little bits of embossing powder where you don't want it to be.


For my images, I used Versamark with Simon Says Stamp Antique Gold Embossing Powder.  It's my favorite as it isn't a bright yellow.  Use whatever you have even if it's clear embossing powder. I just happen to like and use a lot of gold in my work.


Next, I used a wet on wet technique for the watercolor.  Starting with a large brush, I wet each leaf, one by one.  Using the Pearl Gold color, I started adding in little bits of color at the base of the leaves and worked out.  Then using a size 4 round brush, I started at the tip of the leaves and added Red Pearl color and worked my way in toward the base.  Then I used Orange Copper for the center area with a bit more water and just let the color travel and settle how it wanted to.  I worked my way around each of the leaves, and let it dry almost completely before adding in the Amethyst, just kind of dabbing here and there with my brush.  I am so happy with the way this looks and that it looks as if I actually know what I am doing with my watercolors.


I let it dry overnight and then cut it with the Rectangle Basics in the 2nd largest size. I also cut a mat for behind it from a shimmer cardstock called Garnet Plum that I get from PaperPapers.com.  I chose the sentiment I wanted and prepping the surface again in the area where I wanted to heat emboss, I stamped with Versamark and then heat set the Antique Gold Embossing Powder.


I use a microfiber cloth to remove the excess powder from the surface and I give the cloth one mist of Water to help remove it.  It is a very fine mist, and I'm careful not to tear the paper.  I attached the watercolor piece to the mat piece and then that to a white card base.  I added the three little gold hearts and some sequins in a similar plum color then a little gem in the center.  I have no idea where I got the sequins, but I'm going to have to start looking for some more soon as I am nearly out. I call this color "Sugarplum" and along with pink, it's one of my absolute favorites.  I love how these fall leaves turned out, especially on the black paper.  It was surprisingly easy to do.  In fact, for me, the hardest part is walking away to let it dry and not mess with it too much as I have control issues. *Ü*

If you've been visiting my blog, you may have noticed that I have been heavily into Christmas and Holiday Cards, so I was glad for a chance to take a break and do something a little different.  I hope you enjoyed my card today!  Thanks for stopping by!

Affiliate Links may be used at no additional cost to you.

Finetec Pearlescent Watercolors
Finetec Pearlescent Watercolors
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SSS
Kokuyo Long Dot Adhesive
Kokuyo Long Dot Adhesive
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SSS
Memory Box - 30086 Rectangle Basics Set
Memory Box - 30086 Rectangle Basics Set
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SSS | MB
Memory Box - Grateful Autumn Stamp Set
Memory Box - Grateful Autumn Stamp Set
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SSS
MSP- Original MISTI Stamping Tool
MSP- Original MISTI Stamping Tool
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SSS
PP.Com - Cougar White Digital Smooth - #110, 200 pack
PP.Com - Cougar White Digital Smooth - #110, 200 pack
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PPC
Ranger Multi Medium Matte
Ranger Multi Medium Matte
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SSS
ScraPerfect No Clog Tip for Ranger Multi Medium Matte
ScraPerfect No Clog Tip for Ranger Multi Medium Matte
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SSS
Silver Black Velvet Size 2
Silver Black Velvet Size 2
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Silver Black Velvet Size 4
Silver Black Velvet Size 4
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Silver Black Velvet Size 6
Silver Black Velvet Size 6
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SSS Antique Gold Embossing Powder
SSS Antique Gold Embossing Powder
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SSS
Teflon Bone Folder
Teflon Bone Folder
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Tim Holtz Tonic Paper Trimmer
Tim Holtz Tonic Paper Trimmer
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Versamark Ink
Versamark Ink
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Wagner Heat Tool
Wagner Heat Tool
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Thursday, October 3, 2019

Memory Box Challenge Inspiration featuring Grand Maple Frame

Hello, Everyone!  I'm here today with a blog post for you to give a bit of inspiration for the Memory Box Current Challenge, "Leaves".

I love to make fall leaves from some watercolor cardstock that has been loosely watercolored and allowed to dry.  I have multiple color mediums to choose from including some Daniel Smith Watercolors, along with other artist-grade mediums to choose from but, for the completely transparent color that I prefer, I love to use re-inkers with a bit of water and a large #12 watercolor brush.  This 6 well porcelain dish is also a lot smaller than any of my other choices so it pretty much a no brainer for my needs.  I would encourage you to do what works for you. 
Some types of watercolors can be kind of "milky" looking so I like to put a drop or two of reinker into my little porcelain dish with a few drops of water.  You can make it less pigmented by adding more water to the mix.  I have an empty spray bottle that I put a new label on so that it says its Water.  I keep meaning to get one of those little dropper bottles, but I also keep forgetting to order when I am already ordering something else.  When I do this type of project where I'm just letting the water travel and blend and mix with other colors, I like to work on my glass mat which is 20 x 26 in size and put a paper towel underneath my paper to help contain most of the mess.


For me, fall color is all about the deep magentas, reds, corals, golden yellows and bright pinks.   I love to mix those with a bit of Sargent Art Watercolor Magic in Metallic Gold that is easy to find at Walmart, Hobby Lobby, Amazon and a variety of other sources.  I have the 8-ounce bottle that I got a few years ago and I still have more than half the bottle left.  I especially love mixing gold into nearly all of my artwork.  It only takes a drop to add a metallic touch to many of your colors.  And you can use it by itself as well.  It's a pretty bright yellow color but you can deepen the color by adding a bit of reinker in Kraft or Dark Chocolate for more of an Antique Gold color.  Just keep mixing it in one drop at a time, until the color deepens to your desired shade.  This works with pretty much any earthy colors.  I use this watercolor for a variety of things in my studio, so it's a must-have item for me.

I took a few pictures here so you can see my process.  For demonstration purposes, I used Canson #140 Watercolor paper which has a pretty heavy texture.  In this case, that's a good thing as it leaves lots of little divots for the shimmer mist to settle into rather than sliding off with the water.

This is how it begins, lots of colors and lots of water.  I use the wide flat brush to add plain water to the paper and the #12 Round Brush to add the color.  As the paper curls up, the colors run and blend together.  You can see from the paper towels in both of these photos, that the paper towel gets very grungy!  Once the color has dried, I hit it with a liberal amount of shimmer mist.  Then I take the dirty paper towel and replace it with a clean one


You can see how much water is here; and how much water and color run off the sides of the paper.  Once it's dry and I hit it with Shimmer Mist, I move it momentarily, wipe my glass work surface and then put a clean paper towel under it while the shimmer mist has a chance to dry.  In this case, it happened to be overnight.


Another item that is a must-have in my studio is Sparkle Shimmer Mist from Tsukineko/Imagine Crafts.  My favorite is the Sheer Gold but I also like the Sheer Sparkle Shimmer Mist as well.  I use more gold than sheer, but I like to have the option for whatever I'm working on at the moment.  Since I took these photos at night, it's impossible to capture all of the golden goodness that is on this watercolored panel.  Hopefully, you'll be able to see it better in my end product.  and I'll try to take a better picture once the sun is up.  My husband leaves at 4:00 a.m. and today is trash day, so he wasn't too quiet, so I got up as he was leaving.

Next, I used the Grand Maple Frame Die and die cut one from Gold Cardstock and one from the watercolor background.  I made a card base using Stardream  Metallic Flame Cardstock from PaperPapers.com.  These cardstocks work perfectly with the elegance of the Memory Box Dies.  I bought a bunch of different colors last May and I am so glad I did as I have a lot of colors to work with and they are fantastic with Memory Box's Elegant Dies.


I kept most of the die cut together and intact, but I wanted to use the watercolor paper to inlay for the color on the leaves.  This was very quick to do as there are only a few very small pieces at the tips of the leaves.  Everything else is a larger size and is easy to fit.  I used Post It Tape on the backside, but then as I was switching out the pieces, I used Ranger Multi Medium Matte to hold them in place.

I was a little bit unsure about the corners of the actual frame, but in the end, I popped out the corner pieces, then put the rest on foam tape so that the card color comes through.  I tried those corners with inlay as well but preferred to let the cardstock color show through.

I stamped the greeting from the Memory Box Fern & Berries Stamp Set using Versafine Black Onyx and heat setting it with Clear Embossing Powder.  I used my Basic Rectangles Dies to cut the sentiment and the next size up to cut the gold layer for the sentiment.


This card was actually very quick to make, but because folks like to see the process, that took quite a bit more time so I could have those images for you as well.  I love how this card turned out and I have an extra panel just sitting here waiting to be made into another card like it.  Since I give cards to my Sisters-In-Law each year at Christmas, I need all I can get.


I loved how this particular watercolor piece turned out and I couldn't bear to get rid of any more of it than necessary.  I die cut it with 2nd largest Basic Rectangles Die but I didn't inlay the watercolor pieces this time. I just popped the pieces our of the frame so that you could see the watercolor background panel.  It was a lot faster to make this way.  It gives the frame that filigree look that Memory Box is so famous for!


I got in really close so that hopefully you can see all the gold in with the color.

The second watercolored piece has quite a bit more gold in it, so I spent a little time playing with the various cardstock colors to see which one I wanted to pair it up with it.  In the end, I chose to pair it with Raspberry Fizz Cardstock to let the Pinks really pop!  I think I'm channeling my inner Dawn McVey here. *Ü*


I hope you enjoyed my inspiration for this month's Memory Box Challenge. The supplies I've used are linked below for your convenience.




Affiliate Links may be used at no additional cost to you.

I2P - Reinker - Berry Sorbet
I2P - Reinker - Berry Sorbet
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PTI/ITP
I2P - Reinker - Dark Chocolate
I2P - Reinker - Dark Chocolate
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PTI/ITP
I2P - Reinker - Harvest Gold
I2P - Reinker - Harvest Gold
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PTI/ITP
I2P - Reinker - Orange Zest
I2P - Reinker - Orange Zest
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PTI/ITP
I2P - Reinker - Pure Poppy
I2P - Reinker - Pure Poppy
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PTI/ITP
I2P - Reinker - Raspberry Fizz
I2P - Reinker - Raspberry Fizz
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PTI/ITP
I2P - Reinker - Scarlet Jewel
I2P - Reinker - Scarlet Jewel
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PTI/ITP
Kokuyo Long Dot Adhesive
Kokuyo Long Dot Adhesive
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SSS
Memory Box - Fern & Berries Stamp Set
Memory Box - Fern & Berries Stamp Set
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SSS | MB
Memory Box - Grand Maple Frame Dies
Memory Box - Grand Maple Frame Dies
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SSS | MB
Memory Box - Rectangle Basics Set
Memory Box - Rectangle Basics Set
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SSS | MB
MSP- Original MISTI Stamping Tool
MSP- Original MISTI Stamping Tool
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SSS
PP.Com - Cougar White Digital Smooth - #110, 200 pack
PP.Com - Cougar White Digital Smooth - #110, 200 pack
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PPC
PP.Com - Curious Metallic Nude Cardstock
PP.Com - Curious Metallic Nude Cardstock
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PPC
PTI/I2P Raspberry Fizz Cardstock
PTI/I2P Raspberry Fizz Cardstock
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PTI/ITP
Ranger Multi Medium Matte
Ranger Multi Medium Matte
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SSS
Scotch 3M Foam Tape
Scotch 3M Foam Tape
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SSS
SSS - Clear Embossing Powder
SSS - Clear Embossing Powder
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SSS
Tim Holtz Tonic Paper Trimmer
Tim Holtz Tonic Paper Trimmer
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Tonic 6 Inch Personal Trimmer
Tonic 6 Inch Personal Trimmer
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Versafine Black Onyx Pigment Ink
Versafine Black Onyx Pigment Ink
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SSS
Wagner Heat Tool
Wagner Heat Tool
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SSS
MSP - Mini MISTI
MSP - Mini MISTI
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SSS